Solo Artists

Grouch in Dub

Oscar Allison’s dub-centred project, expanding the Grouch musical world through reggae, bass music, live instrumentation and psychedelic electronics.

Oscar Allison, producer behind Grouch in Dub, in the project artist portrait.
Oscar Allison in the artist portrait published on the Grouch in Dub SoundCloud profile.Photo: Photographer not stated by source · Editorial quotation / artist-published project-profile context — no free licence claimed · source

Biography

Grouch in Dub is the dub-centred project of New Zealand producer Oscar Allison, developed as a distinct extension of his Grouch work. The project combines electronic production with reggae, dub, bass music, trip-hop and live instrumentation, and can appear either as Allison alone or with a modular live band.

A self-titled album appeared in 2018, while Metamorph in 2024 expanded the format through a large cast of vocalists and instrumentalists. Grouch in Dub remains active as a live project in 2026. Grouch in Dub demonstrates how a Psytrance-adjacent producer can build a durable parallel identity around dub and live musicianship instead of treating those influences as occasional stylistic decoration.

Active; 2026 festival programming continues to bill Grouch in Dub as Oscar Allison’s collaborative live electronic project.

Origins of Grouch in Dub

Developed from Oscar Allison’s long-standing dub influences and his desire to separate that material from the more dancefloor-oriented Grouch identity.

Early career

The dedicated Grouch in Dub album appeared in 2018 after Allison had already established Grouch internationally.

How the career developed

The project evolved into flexible solo and live-band formats, with Metamorph in 2024 foregrounding collaborative vocals, horns, strings and other live instrumentation.

Grouch in Dub sound

Dub, reggae, bass music, trip-hop and psychedelic electronica with heavy low end, detailed rhythmic production and a strong role for live instruments; Psytrance influence is present but not the project’s sole genre.

Place in psytrance history

Grouch in Dub demonstrates how a Psytrance-adjacent producer can build a durable parallel identity around dub and live musicianship instead of treating those influences as occasional stylistic decoration.

Connections and influence

Shares Oscar Allison with Grouch but operates as a distinct project and live format with a changing supporting ensemble.

Grouch in Dub today

Active; 2026 festival programming continues to bill Grouch in Dub as Oscar Allison’s collaborative live electronic project.

Selected releases in the archive

Festival connections

Kosmos Festival

Kosmos Festival is a Finnish forest gathering founded in 2015, spanning Psytrance, Suomisaundi and experimental electronic culture across multiple stages.

Psy-Fi

Psy-Fi was a Dutch psychedelic music and arts festival launched in 2013, best known for its De Groene Ster years near Leeuwarden; a planned 2025 German return was cancelled before taking place.

Related projects and collaborations

Artists with overlapping styles

Agressive Mood

Portuguese Hi-Tech Psytrance project of Filipe Oliveira, also presented as AM, with releases and collaborations across the Blast Records network.

Astrix

Israeli producer Avi Shmailov’s long-running Psytrance project, known for combining large-scale dancefloor power with detailed psychedelic production and melodic writing.

Atmos

Tomasz Balicki’s Swedish progressive Psytrance project, a foundational name in the late-1990s Scandinavian shift toward deeper, groovier trance.

Burn in Noise

Brazilian producer Gustavo Manfroni’s Psytrance project, combining warm bass, muscular groove and dense psychedelic detail with roots in rock guitar.

Captain Hook

Reshef Harari’s Israeli Psytrance project, known for deep hypnotic arrangements, analogue-minded production and a deliberate crossover between psychedelic trance and techno.

Cosmo

Slovak producer Peter Kubala, whose hyper-detailed, acid-heavy psychedelic trance helped bridge early darkpsy experimentation and the faster sound later identified as hi-tech.