Release context
New Zealand producer Oscar Allison has used Grouch and Grouch in Dub to move freely between progressive psytrance, dub, bass music and slower psychedelic electronics. The catalogue is deliberately porous, with collaborations and alternate versions often linking the dancefloor material to the more spacious Grouch in Dub side.
Grouch in Dub - Organik Mechanic Part 2 - 2015 edit sits on the Grouch in Dub side of Oscar Allison's catalogue, where tempo and structure loosen and dub becomes a central production tool. It provides context for the faster Grouch material by showing that both names come from the same broader studio vocabulary.